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8 January 1836 – 25 June 1912. Most renowned painters.

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MAINO, Fray Juan Bautista
The Recapture of Bahia in 1625

ID: 43726

MAINO, Fray Juan Bautista The Recapture of Bahia in 1625
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MAINO, Fray Juan Bautista The Recapture of Bahia in 1625


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MAINO, Fray Juan Bautista

Spanish Baroque Era Painter, 1578-1649  Related Paintings of MAINO, Fray Juan Bautista :. | The Recapture of Bahia in 1625 | The Recovery of Bahia in 1625 sg | The Adoration of the Shepherds | Adoration of the Kings g | The Virgin,with St.Mary Magdalen and St.Catherine,Appears to a Dominican Monk in Seriano |
Related Artists:
Sebastiano Bombelli
Italian, 1635-1719, Italian painter. He was perhaps the most influential Italian portrait painter of the later 17th century. His early style was formed by his father, Valentino Bombelli, a painter in Udine, and his godfather, the Mannerist artist Girolamo Lugaro. In the early 1660s he was in Venice (Boschini; Sansovino), where he responded passionately to the brilliant colour, painterly freedom and naturalism of 16th-century Venetian artists, particularly Veronese
alexis wetterbergh
wetterberghs malning bar professor sandbergs godkannande paskrift, men eftersom maleri inte forekom pa konstakademiens schema fore 1856
George John Pinwell,RWS
1842-1875 English illustrator and painter. He was born in humble circumstances and was largely untrained. He was briefly a student at St Martin's Lane Art School and at Heatherley's. From 1863 he contributed woodblock illustrations to magazines, establishing his reputation in 1865 with the Dalziel brothers' editions of The Arabian Nights and The Works of Oliver Goldsmith. Pinwell's finest drawings were commissioned for the Dalziels' poetry gift-books. With another illustrator, John William North (1842-1924), he worked at Halsway Manor in Somerset in 1865, experimenting with formal effects based on the structure of stone farm buildings or on the wooden beams of barn interiors (his drawings do not seem to have survived). Some of the illustrations for A Round of Days (1866) and Wayside Posies (1867) present an ideal vision of the countryside, but a vein of social concern is also present. In The Journey's End, from Wayside Posies, a strolling player lies dead, worn out by hardship and hunger. For an illustrated edition of Jean Ingelow's Poems (1867),






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